Showing posts with label WWC WK9. Show all posts
Showing posts with label WWC WK9. Show all posts

Tuesday, July 16, 2013

WWC WK8: The Rat Prince



Author's Note: this was my first attempt at one of the HarperCollins/Inkpop writing contests. I won second place for their Weekly Writer's Challenge #9, the revisited fairytale contest. This story incorporates "The Pied Piper," "Cinderella," "Rapunzel," "Beauty and the Beast," and "Snow White." I'd forgotten all about this story, actually, until I was going through my Inkpop/Figment account. I remember the girl who beat me did a great retelling of "Cinderella" that was just amazing, called "Frailty."

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It wasn’t murder.

When my father told me what he intended to do, the knowledge hit me with the surety of the sunrise: of course I would have to kill him. But it wouldn't be murder. It would be justice. I wasn’t the murderer in this family; he was.

He killed my mother. They don't tell you that in the story, do they? Who planted the tree for her? Who tended it, watered it, pruned its branches? I did.

Who allowed my mother to drink a goblet of wine sprinkled with ground-up glass? He did.

Glass has always been the bane of my existence. The wood of my mother's tree, planted at the head of her grave when I was a little girl, would be the end of my father's. I wouldn't let him murder Rafe without consequence.

There was no way I could stop him, of course, for I was just the servant girl and the town wanted to see Rafe dead. My love was only a rat, after all. My father was a lord of men.

And who am I? You should know me by now: the girl in the fireplace, the ash-girl—Cinderella.

The morning of my father's death, I pressed my cheek against the smooth bark of my mother's tree. It had given me so much... and taken so much away. It had given me a prince... then taken away my love. It had been my father's excuse to steal the one who meant the most; it was the means by which I would avenge him.

Wind whistled through the flute I would give my father. A simple tune, sweet and clear—a sound like angels singing—breathed through my mind from the plain wooden instrument. Thank God I wasn't the one the song was intended for, or I would've thrown myself from the cliffs near my home and plummet to my death.

That was the fate my father intended for Rafe.

My stepsisters cried the day I confessed my father's plans, because they knew they would lose everything. The stories say my sisters despised me, that my stepmother forced me to be her slave. The tellers of the tales have never met my father. They never took the time to learn the cruelties of silken courtiers and sweet-tongued noblemen.

"Is this it?" My younger stepsister, Rose, asked me softly. The swish of her dress whispered over the dying scrub grass behind our house. The branches of my mother's tree cast shadow claws over her face.

Soon Rose, whom all called Beauty, would have her own claws to deal with—her Beast was still combing the world for her, intent on saving her from my father.

"Yes."

"Snow is ready for you," Rose whispered. "She and Mother have finished."

"You sound like a conspirator," I said to my fair-haired younger sister, reaching out to take her hand in mine. People mistook us often for true sisters, because of our similar looks and because of our closeness. "Why are you whispering?"

"Are you sure it will work?"

"Yes," I said, meeting her leaf green eyes with my blue ones. "Rafe will die, then my father will die, and then I will no longer be the ash-girl in the fireplace."

"I'm going to miss you."

I didn't respond. What was there to say? I would miss her, too.

ᴥᴥᴥ

In Snow's room, where countless mirrors hung and her potted apple tree sapling stretched its bird-like limbs toward the open window, my stepmother varnished the flute. The polished wood gleamed in the light. Beside my stepmother, with her bloodless skin and ebony hair, sat Snow, the daughter in her exact image.

I could never understand how strawberry blond Rose could be Snow's twin. They were complete opposites—Snow, with her jet curls and ivory skin, and Rose, crimson-tinted blond with a healthy blush in her cheeks. I could never understand how they could love me so completely, when my own father despised me.

"When he plays, he'll die, Crystal," my stepmother told me absently, her mind occupied with coating the flute with poison. "It won't be right away—I have nothing poisonous enough for that. But he will die."

"Rafe and I have talked about it," I whispered, staring at my reflection in one of Snow's mirrors—my soot-smudged face, the eyes as blue as glass, my silvery blond hair tied up under its kerchief, my dirty work dress. "We've accepted it."

"The apple," my stepmother said, nodding towards the scarlet fruit glinting on the nightstand beside Snow's bed. "I don't know why I've agreed to this."

She had been saying that since I'd outlined my plan, but it wasn't true. I knew why she'd agreed to create the poison for me: she knew what it was to lose the only one you'd ever loved. Rose and Snow's father had been murdered by their grandmother, his eyes gouged out and his heart pierced by a rose thorn. If not for the twins, she would've done exactly as I planned to do.

"I finished these just in time, I guess," Snow murmured, looking everywhere but at me. She lifted an ebony box from beside the poisonous apple and popped the lid so I could see inside. Within lay a key, white as bone, on a thin silver chain. A ruby hung from the chain beside the key.

"What's this?"

"The last gift," Snow said. A tear rolled down her cheek. I felt wetness on my face, and reached out to hug her.

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The key belonged to Snow's hope chest. Lightly tracing my fingers over the gold inlay, the leaves and flowering vines and trees on the lid, I thought of Snow, felt the tears begin to burn. I forced them back and opened the trunk.

Inside, I found a letter from my stepmother, Aurora, and wedding garments—a white dress, a diamond comb, diamond earrings and necklace, and slippers that glittered like crystal. The pendant made me laugh. It was a 14 karat pumpkin.

I memorized the letter. Then I folded everything neatly and put it back inside.

A single teardrop splashed the lid of my sister's hope chest.

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Because I have never known agony, because I have never known the all-consuming grief of true loss, and because I had made a promise, I watched that afternoon as my father raised the poison flute to his lips and began to play.

Then the rats came.

From all over Hamlin, the rats came, a river of black-furred bodies heaving with the effort of racing towards that music, that beautiful melody—a sound like angels singing. First the sewer rats and barn rats and river rats and forest rats...and then the rats who were not rats began to stumble towards the cliffs near our house.

I saw Rafe, my sweetheart, the man who had asked me only a week ago to marry him, trying to resist. He kept his eyes on my window, where I had promised to stay, to bear witness...but his feet dragged onward.

In the last few years, Hamlin had begun to systematically wipe out the faeries. After the last Elf had been drowned, the humans turned their thoughts towards the shape shifters. The rats came first.

My father was the executioner. His actions would bring a slaughter down on the mortals of Hamlin, because Rafe was prince of the shifters. War would come, violent and bloody. The humans would die, thrown from the very cliffs the rat shifters now leapt from.

And before the bloodbath to come, my father would receive the payment I knew the city would deny him.

Aurora, Rose and Snow would be safe—they were witches, all. I would've been safe, but I would not live without Rafe.

High above the world in my tower room, I watched, tears rolling down my cheeks, as Rafe lifted his hand in farewell and walked off the edge of the cliffs. He disappeared in seconds, with not even a scream or yelp to mark his passing.

I screamed for both of us. Screamed until my father began to convulse; screamed until Aurora rushed from the house and plunged her knitting needles deep into his heart; screamed until Rose and Snow began hacking at him with the wood axe and the carving knife.

I bit into the apple.

In a white wedding dress, wearing a poisoned diamond comb, diamond earrings, and a diamond pumpkin pendant, I fell to the ground as a haze slipped across my eyes and sudden weakness flooded my limbs.

I knew I was dying. I welcomed it. Soon I would be with Rafe, and my long-dead mother. I would be free of my father's hate. My stepmother and stepsisters would bury me in a glass coffin.

The air eased from my lungs. The last thing I heard was the tinkling of shattering glass as my slippers crashed to the floor. The apple lay amongst the glass, poison among the pain.

Tuesday, February 19, 2013

WWC WK9: Invitation in the Bag



Author's Note (2-19-2013): I'm posting this piece because it won first place in HarperCollins and Inkpop's Weekly Writer's Challenge #9, which was to write a story inspired by the painting Dark City. My novel that this is an excerpt from has been discontinued after much soul-searching, however, because its content goes against my spiritual beliefs and the tenets of my faith.

Author's Note (5-9-2010): Okay, this is for the image Dark City. I'm pretty sure I fulfilled all the requirements.

I used the word obsolete not once, not twice, not even thrice, but four times, and in 2 different ways. This work was also not post-apocalyptic. It's set in the real world, in real time. I worked the title of the picture into the text of the story ("this dark and decadent city") and had a yellow messenger bag.

The hard part was incorporating the dark hopelessness in the image into the entry. I think I managed that. And because of the lightening of the sky compared to the city, I felt it implied a bit of hope, which I also tried to show. These emotions were shown through Kate's feelings. But if you look at the picture, there are monsters vaguely outlined and hinted at in the clouds, and so I tried to show that with the fact that Kate's personal hope lay hints of danger (since her hope and joy is about seeing a psychopathic whacko). I also alluded to the actual visual image of the city with the red lights in the windows as well.

Although I think the entry word limit should be longer, I can write within it. The entry itself is 1,158 words.

I wrote this on Sunday, May 9. It's actually an excerpt from an adult novel I'm writing called Pretty Maids All in a Row.

If Sila decides to make it okay, I'm going to do a second piece about the Baobab Witch image. Well, I'll do one anyway and then see if she makes it okay.

Hope you enjoyed my descent into nutso-ness. Ta-ta!

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Blood.

All around her, within, without, about, around, over and under and through. It thrummed in her veins, pulsed in her wrists and at her temples, smeared across her lips and her eyelids. It was as if she were drowning in it. As the hot shower spray beat her skin, she felt the singing of crimson under her flesh.

Kate Madison opened her eyes to the stark, white walls of the shower. Stringy, black hair clinging to her head, plastered wetly to her face, she sat hunched in the ivory cubicle, wondering if she had the courage to accept the invitation.

"Don't you want to see him?" Maggie asked.

The ADA glanced over at the woman she knew for a fact wasn't actually there. The ice blue eyes bit her like snake fangs. The pale mouth curved up into a grin as the brunette woman flinched. That was the problem with Maggie. She wasn't just a hallucination—she was Kate's other self. The young woman's closeness with Jack Hollis had only made Maggie's presence in Kate's psyche all the more prevalent.

"Are you insane?" The lawyer demanded of her schizophrenic persona, realizing the futility of the question even before it passed her lips. Still, she pressed on. "He's trying to destroy the city. He's a psychotic killer-"

"So are you," her other half reminded her. Kate pressed her lips together. The psychotic killer bit was not entirely true. She wasn't psychotic. She wasn’t crazy, just a little... unwell. And she hadn't been the one to kill her father.

That had all been Jack.

What child wouldn't run from a swinging fist and a swinging belt? And wasn't it simply natural that she run out the door? To run straight into the arms of the one person in all the world who understood that blood warmed her ice cold skin, that fire against her eyes made her feel alive? Because he had felt the same way. His hands, colder than ice, colder than death, were warm when blood made them wet and hot. His eyes burned with the fires that blazed all around them, burning, always burning....

Why did you do it? She had whispered.

Authority is obsolete, he whispered back, his breath scalding against her ear. They are the Obsolete. They deserve death. And so did your father.

Kate wasn't sure if the moisture on her face was from her suddenly stinging eyes or the shower. But why would she be crying? It didn't make sense.

On her side of the pristine cubicle, Maggie wept into her hands, the strings of black hair dripping wet around her face in a sable curtain. Sometimes the ADA wondered if maybe she were the hallucination and Maggie the host form. Because it seemed as if Maggie was the only one who truly allowed herself to feel.

I miss him, Kate thought suddenly, and tears welled up and flowed like fresh blood. Inexplicably, she realized it was true. She missed Jack.

With David, her best friend since she was a little girl, she was Kate, fresh and good and kind, a fighter against evil, a bringer of justice. She worked within the system to bring about the end of crime in New York. Warmth radiated from her soul, impervious to the smog and grime of the city.

And with Harold, her fiancé, she was pretty much the same, except he considered her a little more naïve. David at least knew what she had dealt with in some aspects—her father's abuse, her mother's suicide and the consequent depression, the loneliness in law school thinking David had died, and even the tiny war waged against the corporate monsters intent on destroying her hometown. Harold hadn't seen her in those days, before she'd started on the meds.

But Jack...there wasn't a need for medications that numbed her soul and made her heart ache around Jack. He understood what blood and fire were for. Jack understood that the fires burning in the windows of the dark and decadent city burned red as blood. He knew about the allure of star bright steel, the shiny draw of a knife blade, the way blood over metal sang and smelled of new pennies and fireworks.

Jack understood things she had never had to explain. David and Harold would never understand the pull of the chaos. Only Jack.

"Can you live like this?" Maggie demanded. "Because I can't. We hide behind the masks, let the world smudge and erase who we are. We're losing ourselves, Kate. Jack is only one we can truly be free with." Tears rolled down the mirage's cheek. "Everything is so dark out there. How can you not want to light it all up? You need to! Let go, Kate. Just let the need flow."

"Let the blood flow," Kate whispered. "Isn't that what you mean? The blood and the fire flooding the darkness?"

Damn Maggie, the ADA thought, because Kate had to admit to herself that she was right. She could not live like this. She had to let the fire come.

"We'll go," she said softly, brushing her hair from her face along with the tears. "We can go. Stop crying," the brunette added, watching Maggie with eyes that, though a deeper, darker blue, were colder than the ice blue of Maggie's gaze. "Come on, before we turn into prunes."

We. The unquestioned, unquestionable we. With Jack's return and the gifts that had begun to appear, Kate had returned to that once-obsolete habit, the schizophrenic "we" of her middle school and high school days when she and Maggie had acted as a cohesive unit, aware of each other and working together to protect themselves and survive in the world that hated them both. Now she tried to bite back the tiny thrill that ran up her spine as she said, "We." The assistant district attorney didn't want to admit, even a little, that she was glad the meds that kept Maggie away weren't working.

Once out of the shower and drying off, Kate glanced at the neon-yellow messenger bag on the vanity. A gift from Jack when they were in middle school, she still carried it everywhere. In the blinding glare of the white lights surrounding the mirror she could barely see its contents, but she knew they were there: the red rose and the invitation.

Come out, come out wherever you are.
The city is dark and cold.
Light hellfire in the windows.
The Obsolete are washed away in the storm:
In with the new, and out with old.

Come play with me, Kate.

Oh, they were going to play all right. They most certainly were going to play.