A cross between the
Gone series and Lord of the Flies, Quarantine #2: The Saints continues
this frenetically paced and scary young adult series that illustrates
just how deadly high school can be.
Nothing was worse than being locked in—until they opened the door...
McKinley High has been a battle ground for eighteen months since a virus outbreak led to a military quarantine of the school. When the doors finally open, Will and Lucy will think their nightmare is finished. But they are gravely mistaken.
As a new group of teens enters the school and gains popularity, Will and Lucy join new gangs. An epic party on the quad full of real food and drinks, where kids hookup and actually interact with members of other gangs seemed to signal a new, easier existence. Soom after though, the world inside McKinley takes a startling turn for the worse, and Will and Lucy will have to fight harder than ever to survive.
Nothing was worse than being locked in—until they opened the door...
McKinley High has been a battle ground for eighteen months since a virus outbreak led to a military quarantine of the school. When the doors finally open, Will and Lucy will think their nightmare is finished. But they are gravely mistaken.
As a new group of teens enters the school and gains popularity, Will and Lucy join new gangs. An epic party on the quad full of real food and drinks, where kids hookup and actually interact with members of other gangs seemed to signal a new, easier existence. Soom after though, the world inside McKinley takes a startling turn for the worse, and Will and Lucy will have to fight harder than ever to survive.
I
recently wrote a review for an amazing debut novel from the creative man-duo
Lex Thomas, two friends who managed to craft Quarantine #1: The Loners, a book about a mutating super-virus epidemic
that results in an entire high school being quarantined by the military, and
what happens inside the school as a result of no adult supervision. It was
fantastic, and it got a 4.75 stars from me.
Then
book two, The Saints, came out, and
it broke my heart. And not in a good
way.
A
lot of the things I loved about book one were missing in book two.
For
one thing, David—the main character of The
Loners—isn't there, because he "graduated," losing his immunity
to the virus and thus having to leave the school.
For
another, the Loners tribe from book one escapes McKinley High at the very
beginning…except Will, Lucy, and about 7 or 8 other kids, thus stripping them
of their strength. The Loners disband and everyone joins different tribes to
stay safe. So most of the characters I got attached to in The Loners are gone after, like, page 10.
But
the biggest thing is the sex and the violence. In The Loners, sure kids are having sex and killing each other in this
incredibly high-stress, unsupervised environment—but it's handled tastefully
and for the most part it's off-screen, as it were. We see a few kids get
killed, yes, but it's not wet
violence, with gratuitous description and a high ick-factor. We get more of the
"oh that's terrible" emotional punch and less of the "oh, that's
disgusting" reaction.
Not
so in The Saints. In book two, sex is
handled a lot more crudely and casually, and we get a lot more wet violence. I was actually nauseated reading the violent
bits. I only finished so I could write this review.
Let
me restate this so you all understand: I had the same reaction to a young adult novel as I did to watching Saw II. Yeah. The violence was that
gross. Was that really necessary, Lex
Thomas? Really? No, it wasn't. Come on, guys. One of the things that impressed
me the most about you two was that your debut novel was tastefully done. Why
must you unnecessarily step up the ick?
Another
big issue I had with the plot was Sam and Hilary from book one. In book one,
Sam is very much the homicidal whacked-out power-hungry dictator kid. Hilary is
torn between wanting to be safe/comfortable with Sam or doing the right thing
and protecting David, whom she still loves.
In
book two, we lose both of these dynamics. We begin to see a more vulnerable
(and also a crazier) side of Sam, and learn that his father's manipulation and
emotional abuse is why he's so bat-crap crazy. We also learn about Hilary's
mother's emotional abuse, which explains why she's so cruel, but we've lost the
part of her that made her someone you wanted redeemed in book one—and we never find out why that happens. What changed Hilary? We don't know. David
leaving? Maybe, but again, we never find
out.
As
for Sam, the moment his father shows him that he really loves him, that it's
not all about strength and winning, Sam's like, "Okay, I'm good. I'm
escaping now. Forget conquering McKinley High. I am so out of here." Which basically means he's not a threat. He
doesn't need to die anymore because he wants out of McKinley, and once out of
McKinley, he'll probably get shot by the military.
So
why does he need to get killed by a wild pig? It's like, the moment Sam becomes
even close to sympathetic, Lex Thomas got twitchy about him being less than psychotically
evil and killed him off—and in a really violent, gory way. Why?
And
then of course there's Gates, the new kid, the leader of the Saints (so-called
because they're escapees from St. Patrick's private school down the road). We
as the reader know right away that he's gonzo. It's pretty obvious. A) he's
obviously bipolar and b) he just gives off the nutso-vibe. So when Will hooks
up with him as his new best friend, it's like, "Ohhh, snaps."
Now
Gates is a very well-done character. I actually like him as a character. I
would never be friends with this guy
(too much of a party animal) but he's well-written. And he's a better-done bad
guy than Sam, because he has more dimensions. His type of crazy isn't so close
to the surface.
But!
One
new, well-done character isn't enough to balance out the problems in this book.
In fact, even all the cool things in The
Saints aren't enough. What good things there are—learning about the Sluts
and their initiation, the surprisingly happy new lives of the former Loners,
Will and Lucy finally getting
together, a new and better bad guy—don't balance out the sickening amount of
wet violence in the book, the tacky sex-capades (the single, very glossed-over
scene between Will and Lucy and Lucy's hesitation about giving her virginity
away to just anyone are the only
things done tastefully here), and the sudden urge everyone has to party all the
time with the new supplies they get from Sam's parents due to Gates taking Sam
hostage.
Maybe
the point was to show that in high-stress situations, teenagers act like wild
animals, but we kind of figured that one out during The Loners, and it was shown in a much less tacky way. I don't
know. I was very disappointed in this book. It seemed like the storylines
involving Will and Gates were mostly full of cheap shock-events, and the only
thing worth reading was Lucy's initiation and membership in the Sluts. That's
less than 1/3 of the book.
There
were plenty of other things that piqued my interest, but they were never
followed up on: what happened to two of the Loners who were very much in love
during book one, one of whom graduated; the pregnant girl we meet in the Sluts
in book two, who's going to graduate in time to have her baby safely; the Freak
and the Nerd who got "married" apparently in book one (we only hear
about it in book two, but never see it) who graduated on the same day together.
Those things are never followed up
on, and I for one would've liked to see this marriage in The Loners.
And
of course, they ended the book on a cliffhanger. So Gates may or may not be
dead, Violent—the leader of the Sluts, who is a wonderful person—may or may not
be dead, Sam is dead, Lucy is badly injured and Hilary is out to
probably literally kill her, and we
don't know what happens to the pregnant girl.
I
hate you, Lex Thomas. Because I'm gonna have to read book 3 when it comes out
(although I'll probably just skim it) so I know what happens. But I'm not
buying them.
You've
broken my heart with your sudden urge to jump your rating from PG to R, with
your twisted descriptions of people being scalped with box-cutters and kids
getting their throats torn out by wild pigs, and I've lost my faith in you
guys. I don't know what happened, but your second book is a 1.5 star.
It
just was so badly done, so lazy. As if you couldn't be bothered to work at
getting the same effect with less blood and bare skin and profane language. I
don't understand—were we, your fans, not worth trying?
Sincerely
and with much sadness,
LA
Knight
"So why does he need to get killed by a wild pig?"
ReplyDeleteREALLY? That's just stupid. Very stupid plot device, there.
And if you think it's comparable to Saw II, regardless of reviews, that means you shouldn't keep on reading. Because that means it's basically rated R, and we're not supposed to watch/read those.
Actually, you shouldn't pick up book 3, because of this. I know, the stories awesome, but that's the way it is when the author(s) change things up. Like Fairy Tail (OMG, am I mad we can't read that!). I'd avoid it because it's probably gonna be rated r again.
Yeah, don't read it. And next time, don't keep on reading it. I even got out of doing a major book review for Mr. Tonk because the book I picked turned out to have a lot of sex in the latter half of the book.
<3
Yeah, Sam gets killed because a wild pig had babies and he stepped on one of them and killed it by accident. Which is realistic - the sow's homicidal response, I mean - but kind of like, really? I mean, Gates was all set up to take him out, so why didn't he? Why not have him do it? Gates isn't salvageable anyway, he's nuts. And the big didn't just randomly show up, it wasn't like, "I need a pig here! I love a warm, ticked off pig-belly for my homicidal urges toward my characters." But still, it was just...like...really?
DeleteI'm not going to read book 3. I'll wait until it's been out a few months, then go on Goodreads and read a review full of spoilers so I know if my 2 favorite characters die.
*sigh* I only finished the review because I'm hoping Lex Thomas (or another author) sees it and realizes how lazy turning up the violence like that is. I've actually impacted aspiring writers that way before, so...yeah. And because publishing houses and agents actually have people whose job is to read fan-reviews and report complaints and whatnot to the author, since they need to worry about what fans think. So maybe one of *them* will see it and it will help.