Showing posts with label critique. Show all posts
Showing posts with label critique. Show all posts

Saturday, August 6, 2016

Why Do You Hate the Marauders!? (Comment-Question)

*sigh*

Okay, most of Booklr who’s seen any of my posts about the Marauders-era young people probably already know this…but.

Now, when I say Marauders-era peeps, I’m not talking about the Weasley parents (I feel like they’re a bit older than James & Lily were?) or Tonks (she’s quite a bit younger). I specifically mean James, Sirius, Remus, Peter, Snape, and Lily. And we’ll throw in Dumbledouche for kicks because he was headmaster at the time, right? I seem to recall he was.

So that’s…7 people. Why do I hate those 7 people?

Do we really need to ask about Peter, Snape, or Dumbledore? Nah. So that leaves me with four - Sirius, James, Remus, and Lily.

Sirius: a bully and an unrepentant thief, a little creep who picked on other kids (including his so-called friend, Peter, and on Lily), who tried to murder someone for funsies.

James: add the the first 3 things I mentioned for Sirius.

Remus: allowed the first 3 things to happen. Also abandoned his child to go fight in a war (twice) because “oh poor me, I’m a werewolf, my self-loathing and cowardice is more important than being a decent father and husband”

Lily: shacked up with the douche-nozzle mentioned previously. And okay, supposedly she waited until James got his head on straight, but what does that say? Sexually harass a girl for 6 years, profess you’ve had a change of heart in 3 months, and she’ll have your babies, even after you tortured her best friend for years. People say Snape was a lousy friend, and the older he got, it becomes truer and truer. But that b**** was a lousy friend, too.

And yeah, she dies sacrificing herself to protect Harry, but you know who else has sacrificed their lives for their children? Malcolm Merlin, who’s massacred hundreds of people. Marissa Coulter, who helped murdered dozens upon dozens of kids all under the age of 12. Darth Vader risked his life to save Luke. Risking your life to save your child does not make you a hero, because plenty of villains have done it.

Oh, well, they fought Voldemort. So? Regulus Black was a racist little turkey but he gave Voldemort the ultimate f*** you (and good on him, too). You know who else fought Voldemort? Narcissa Malfoy, who would’ve let Harry die if he hadn’t been key to saving her child. The goblins of Gringotts, who torture animals and loathe all wizards to ever exist ever. Fighting Voldemort doesn’t make you a good person, either. Fudge and Scrimgeour would’ve fought Voldy if they could’ve and they are both evil little men.

So yeah, I’m posting this slightly long and hissy answer so that the next time someone asks, I can just link it because I realized I’d never gone into much detail about why I dislike the Marauders so much - because they’re bad people, who are lauded as good people because they were heroes. James, Sirius, and Lupin? They’re just as bad as Snape and Peter. Lily’s not as bad, but she’s still a cutthroat b****. And I know there’s that whole “strong girls are often called b****es,” well yes, they are. So are treacherous ones.

This is why Gen 2 is better. Harry and Ron and Draco, Neville and Ginny and Luna and Hermione, are better people than James, Sirius, Snape, Peter, Lily, and Remus. I love them. Their predecessors suck. All of them.

For the record: if you like the Marauders, fine. I don’t care/mind, I’m not gonna hate you or say you should be ashamed of yourself. People can like what they like. I have a very admittedly critical view of Harry Potter the series anyway. But this is why I don’t like the Marauders and why I wish Lily had stayed single and someone else could’ve been Harry’s mom and Tonks could’ve hooked up with someone better than Lupin who could love her like she deserved.\

Friday, July 24, 2015

BLOG HOP: My Name Isn't Katie (Query+250)



GENRE: contemporary magical realism

WORD COUNT: still editing/revising, don't want to make promises. Somewhere around 60-70K max.

Note: my bio paragraph is missing because it's the signature for my emails. Also missing is my "why I'm querying you" paragraph, because this is highly individual depending on the agent.
 

QUERY



"The Tale of the Bamboo-Cutter's Daughter" meets FLOWERS IN THE ATTIC in this 60,000-word novel about a young woman locked away from the world who claims to be a magical princess from an ancient Japanese fairytale.



Katie has been trying to escape the refurbished attic of her house for over six years. Her parents have installed bars on her single window and deadbolts on the outside of the door. She has no computer, no television, and no phone; a walkie-talkie is her only way to communicate with the outside world. Her only sources of comfort are dancing to her iPod, her carefully hidden collection of old Polaroids, and reading. Her parents, the social workers, and her psychiatrist all say she's there for her own good. That this way she doesn't have to be institutionalized. That her delusions are growing worse.



But Katie knows she isn't crazy. She knows she came from hundreds of years in the past, from a magical city on the moon, and that she was found inside a bamboo stalk when she was a baby. She knows she's really Princess Kaguya and that Jade the Moon Rabbit, her best friend and faithful servant, is searching for her. She knows that a terrible darkness from the past is coming to their small Alaskan town, bringing with it something terrible Katie can't bring herself to remember. And she knows she has until her seventeenth birthday to escape her prison, or she'll be trapped on earth forever.



Then she sees a boy named Mark through her window. Katie claims he can turn into a fox and control the dead. That Mark is her long-lost love from centuries ago. Her heart says they belong together and they're running out of time until the window home closes for good. But with no sign of Jade and a sympathetic but adamant Mark denying he's ever met Katie, she begins to doubt. The darkness is coming, Katie's desperation is growing, and as her seventeenth birthday rapidly approaches, the truth will finally come out—is she really Princess Kaguya? Or is her past all a delusion?



Using prose, verse, Japanese poetry, annotated interview transcripts, pictures, playlists, and Japanese folklore, MY NAME ISN'T KATIE tells the story of a sixteen-year-old girl who might be an alien princess trapped in a sinister mind-game...or who may simply be a deeply psychologically disturbed young woman.




FIRST 250(ish)



6 days, 12 hours, 41 minutes

They've let me in the downstairs bathroom because I cut my arm on a nail sticking out of my prison bedroom wall. The woman who claims to be my mom needs more room to stitch me up than she can find upstairs. The attic is large but the attic bathroom is small. The light isn't good, either.
I watch the moon through the tiny bathroom window. A sliver of white, a soft glow against black and the stars, so many stars. Is this the edge of the world? They're so clear. Like diamonds.
They don't twinkle. Only in sick cities do stars twinkle, their light battering futilely against the smog. There's no smog here at the edge of everything. No poisonous air. Only me and the people who say they are my parents but they're lying, no I can't think like that, don't think and this prison this house and the attic and the stars so bright you could read by their glow and the light of the moon.
They won't let me read for a long time after this. Not until they figure out if I did this to myself on purpose this is an accident. If something I read gave me the idea to use my pain as the key to escaping made me hurt myself.
Or maybe they think I'm trying to call him but this is all wrong. He doesn't want blood and a dying heartbeat, he is soft things, sweet things. Frost and snowflakes and winter and death, yes, but mourning. Passing. Moving on. Not pain and hurt. They don't know him, they don't understand he can't find me yet because there's something wrong here. I think this is a trap.
I think my parents are trying to kill him. 
But you can't kill Death. There will always be Death.