Showing posts with label Sarah J Maas. Show all posts
Showing posts with label Sarah J Maas. Show all posts

Monday, February 6, 2017

Prythian Lies East of the Sun and West of the Moon


Yeah, but there’s no reason not to think the B&B themes carried over into the second book, considering that ACOTAR had more than one fairy tale threading through it, so why couldn’t ACOMAF have more than one myth/legend/folkloric thingy in it too? In ACOTAR, not only do we have B&B, but we have “The Ballad of Tam Lin,” where a knight is kidnapped by a faerie queen and his lady-love has to go to the faeries and complete several trials in order to win him back.

Also, the B&B aspects of ACOTAR were heavily influenced by East of the Sun, West of the Moon - in fact, it’s far more similar to EotS/WotM than B&B, because in EotS/WotM, the beast-character is stolen from the main character, his awesome magical house-mansion is destroyed, and the the girl has to travel all over the world to where the evil magical queen is holding the dude prisoner - and then she has to accomplish several tasks set by the queen, while doing housework and getting help from a double agent, all while the prince-dude is pretending he doesn’t know her (in some versions it’s because he’s under a spell, in other versions it’s to protect her).

The only thing really missing from this is the MC getting help from the Four Winds, except that Feyre gets help from Nesta, Rhys, Lucien, and…the old lady fae maid…Ailis? We’ll say Ailis, all of whom could count as the Winds. Nesta is fiery and sharp-tempered? Southern Wind. Lucien is all warm and kind of friendly after being chilly and dickish? West Wind. Ailis is demure and sweet? East Wind. Rhysand is a bad@$$ mofo and the most powerful dude in Prythian? North Wind.

The other big thing? Although Tamlin becomes a bigger douche is ACOMAF, he is much nicer than most modern interpretations of the Beast in B&B usually are (thanks to Disney) in ACOTAR. But in EotS/WotM, the beast-dude isn’t much of a douche except when his beasty nature gets the better of him. Tamlin acts more like the Bear King/Beast King in EotS/WotM in ACOTAR and more like Gaston in ACOMAF.

So while SJM says ACOTAR is straight up B&B, it’s not. It’s mostly EotS/WotM with a huge side of The Ballad of Tam Lin (I mean, dude, even the name is the same) with some thematic elements of B&B that don’t really pop up until the EotS/WotM and Ballad of Tam aspects get shunted to the side in ACOMAF, and then we’re full on double-playe of B&B and H&P.

Monday, August 15, 2016

The Assassin and the Pirate Lord Review (1.5/5 stars)


On a remote island in a tropical sea, Celaena Sardothien, feared assassin, has come for retribution. She’s been sent by the Assassin’s Guild to collect on a debt they are owed by the Lord of the Pirates. But when Celaena learns that the agreed payment is not in money, but in slaves, her mission suddenly changes—and she will risk everything to right the wrong she’s been sent to bring about.

What I liked: I liked the premise. I liked the new location (we’re out of Rifthold!) and I really liked the map the Pirate Lord has. That map was freaking amazing and I want someone else to get a map like that sometime in a later book. I loved getting to see Sam’s backstory, see people Calaena cared about from her assassin days, see how she interacted with Arobynn. I liked that her relationship with Sam started off with them as rivals. I liked the introduction of Ben, because it explains - among other things - why Calaena didn’t realize how awful things were with Arobynn.

And I liked the basic plot. The action scenes were well-written and the tavern brawl was awesome. That time when Sam and Calaena starting fighting on the beach after going to inspect the slaves was brilliantly written, too. And the voice/word choice was, as usual, fairly fantastic.

What I Didn’t Like: Oh, boy…let me count the things. 

Sam is an idiot. The way he just rips off Calaena’s mask like that? Like, what the frack? Her identity is a carefully guarded secret you could be tortured to death for revealing. Are you stupid? Apparently. Despite being Arobynn’s second-best student.

The use of slavery? Calaena is very much a white savior. It would’ve been better if all the slaves we see weren’t almost 100% from Ellywe, but even then…I feel like maybe more time should’ve been spent on maybe a slave coming to the fore and having more of a spotlight/helping out more to get somewhat away from the white savior trope. But here it just feels like SJM threw in the slavery thing as a way to show how good at heart Calaena was?

The sudden fondness Calaena feels for Sam felt very rushed. And I get that it’s a novella (which is why I typically don’t read romance novellas anymore) but there are ways to do it where it wouldn’t seem so abrupt. It could’ve started a bit earlier. Or maybe Calaena could, instead of straight-up hatingSam to begin with, could’ve always wondered why he didn’t like her and wishing he’d stop being so antagonistic - so that when he is, she’s more receptive to softening up to him. Here it just felt forced.

Calaena has no reaction to the heat except to sweat but she’s sweating buckets and not drinking anything hardly at all. Because she’s from Adarlan, dehydration would be a problem for her. Now, it could be assumed that she’d be okay since she’s worn that cloak ensemble before, but she wouldn’t be if she didn’t drink between breakfast and late dinner and was sweating like that. It would be like being in a sauna all day, but without the ability to drink or even lick the sweat off your skin. If nothing else, she’d have dehydration headaches, but she doesn’t. I’m pretty sure Sarah J. Maas has never actually been dehydrated or lost in a desert in her life.

Because I loved Throne of Glass - even with its flaws - I expected to love The Assassin’s Blade. But I didn’t. I didn’t love “The Assassin and the Pirate Lord.” It was okay. I didn’t hate it. But unlike Throne of Glass, I’m not going to be raving about it. And it wasn’t so good that the flaws didn’t detract from my enjoyment of it, as with books like Throne of Glass.

Also, since peeps might be wondering about the ¼ star for characterization - Calaena is so unlikeable in Throne of Glass and in this that she loses ½ a star. Sam being an idiot dropped it another ¼.

Things of Note: It’ll get a little better, but then it only gets worse as the novellas go on. You’ve been warned.

Would I Recommend: I would tell people who are curious about Calaena’s thoughts on slaves in the beginning of Throne of Glass that they could find out more in this novella, but that I didn’t enjoy it as much as I thought I would.

Characterization: ¼ star
Plot: ¼ star
Realism: ½ star
Word Choice: ¾ star
World-Building: ½ star

Minus ¾ a star for bad usage of slavery and use of the White Savior trope; it’s used here to show Calaena as a white savior, but the slaves are mainly objects, with no real value as their own characters.

Thursday, July 28, 2016

Someone Asked If I Could've Written ToG/ACOTAR Better Than Sarah...

I think if I’d had the idea for Throne of Glass, I could’ve done it better based on my technique. BUT. It’s not just technique that makes a book. It’s not even mostly or even half technique. The ideas Sarah J. Maas brought to the book series (so far, anyway; I’m only 2 books in) are something I don’t think I could have created better than she did, and they are what make the series so good.

I think, other than some passive voice (which I only noticed because I’ve been slashing it out of a manuscript I’m editing) in ACOTAR/ACOMAF, there’s no real flaws in them except for the way she describes the sexual aspects, which I skimmed over anyway. And I will say that the aspects of ACOTAR that she took from The Black Jewels were changed in such a way that they were still unique and interesting and I had no issues with the things I noticed coming from TBJ.

Thursday, July 21, 2016

My Thoughts on Tamlin the Tool

Having finished ACOMAF last night, I have this to say.

1 - Tamlin isn’t sorry he abused Feyre. He’s just sorry that she left because of it. It’s obvious he isn’t sorry about how he actually acted because of how he treats her in the last two scenes we see her in.

2 - Because of the politics happening right now, there’s not enough room for Tamlin to redeem himself on such a personal level since the abuse aspect of his character arc is so divorced from the actual war going on.

3 - He’s so immature and oblivious, I don’t think anything Feyre could do in the next book would make him change what made him abusive to begin with.

4 - Because these books are in large based on The Black Jewels by Anne Bishop, I’m almost positive Tamlin will never get over the idea that anything Feyre does or says that he doesn’t like, or any opinions she has that don’t mesh with his view of her, is a direct result of mind-rape by Rhysand.

5 - Even if by some miracle he managed to pull his head out of his butt and stop being such a dick and let Feyre go, that doesn’t make up for the things he did separate from his obsession with Feyre - like the lion-queen, and Tamlin’s treason, and Cas, and her sisters, all that stuff. And the only thing in that that he’s sorry for is the sister-bit.

6 - Although I love Sarah J. Maas, I don’t think she has the literary skill at this point to fix Tamlin even if she wanted to.